Birth Name :Nicholas Kim Coppola
Nickname: Nick
Height :6' (1.83 m)
Mini Biography
The son of comparative literature professor August Coppola (a brother of director Francis Ford Coppola) and dancer/choreographer Joy Vogelsang, Cage changed his name early in his career to make his own reputation, succeeding brilliantly with a host of classic, quirky roles by the late 1980s.
Initially studying theatre at Beverly Hills High (though he dropped out at 17), he secured a bit part in Fast Times at Ridgemont High (1982) -- most of which was cut, dashing his hopes and leading to a job selling popcorn at the Fairfax Theater, thinking that would be the only route to a movie career. But a job reading lines with auditionees for uncle Francis' Rumble Fish (1983) landed him a role in that film, followed by the punk-rocker in Valley Girl (1983), which was released first and truly launched his career.
His one-time passion for method acting reached a personal limit when he smashed a street-vendor's remote-control car to achieve the sense of rage needed for his gangster character in The Cotton Club (1984).
Spouse
Trade Mark
Roles in action films
Often plays eccentric wisecracking characters
Distinctive drawling voice
Trivia
Half Italian, half German; his grandmother emigrated from Cochem/Mosel, Germany.
2000: Filed divorce papers in February, withdrew them in April.
October 1997: Ranked #40 in Empire (UK) magazine's "The Top 100 Movie Stars of All Time" list.
Stage name taken from comic book character Luke Cage.
Proposed to Patricia Arquette on the day he met her in the early 1980s. Arquette thought he was a bit strange but played along with his antics by creating a list of things Cage would have to fulfill to win her. When he started to work his way through the list, Arquette got scared and avoided him. They met again many years later and later went on to marry.
1997: He lived in a fake castle on the outskirts Los Angeles. He wants to import an authentic one from overseas.
Loves to improvise, ocassionally to the annoyance of other cast members.
Collects comic books and sees them as being today's equivalent of mythology.
The Wild at Heart (1990) movie poster lists his name as both "Nicolas Cage" and "Nicholas Cage".
Ranked #37 in Premiere's 100 most powerful people in Hollywood in 1998.
1984: Listed as one of 12 "Promising New Actors of 1984" in John Willis' Screen World, Vol. 36.
Suffers from vertigo.
Tim Burton cast Cage in his doomed Superman project. Cage even did fittings of the costume.
On his upper back he has a tattoo of monitor lizard with a top hat.
Cousin of Robert Schwartzman, who changed his name to Robert Schwartzman-Cage inspired by Nicolas.
May 2001: Awarded an Honorary Doctorate in Fine Arts by California State University, Fullerton and also spoke at the commencement.
Father August Coppola, formerly a professor at Cal State Long Beach and Dean of Creative Arts at San Francisco State University
During an A&E Biography on him, the host explained that Cage was director Sam Raimi's first choice to play Norman Osborn/Green Goblin in the movie Spider-Man (2002). Apparently this was before he met Willem Dafoe.
Graduated UCLA School of Theater, Film, and Television.
On "The Tonight Show with Jay Leno" (1992), he told Jay that he took the name "Cage" from a comic book character named Luke Cage, the "first black superhero." This is not accurate; the first black superhero in mainstream comics was Marvel's Black Panther, introduced in 1966. Luke Cage, introduced in 1972, was also preceded by: Marvel's Falcon, introduced in 1969; the black western hero, Lobo, from Dell Comics in 1965 (the first black character to star in his own title); the title character of "Waku, Prince of the Bantu," an African chieftain, introduced as part of the Atlas Comics anthology title "Jungle Tales" in 1954. When asked which of the powers he would prefer to have, he said flight was his desire.
Met his future wife, Alice Kim Cage, at a sushi bar where she was a waitress. When they married she was only 20 years old.
Went to the same high school as Angelina Jolie, Michael Klesic, Lenny Kravitz, David Schwimmer, Jonathan Silverman, Gina Gershon, Rhonda Fleming, Jackie Cooper, Rob Reiner, Antonio Sabato Jr., Pauly Shore, Michael Tolkin, Betty White, Corbin Bernsen, Elizabeth Daily, Albert Brooks and Crispin Glover.
Ate a real cockroach in the film Vampire's Kiss (1988), it reportedly took three takes. He once said about the experience, "Every muscle in my body didn't want to do it, but I did it anyway."
Attended Justin-Siena High School in Napa, CA, during the early '80s.
Nick and his wife, Alice Kim Cage, had a son, Kal-el Coppola Cage, on October 3, 2005 in New York City. Just as Nick was named after a comic book character, "Luke Cage", so he has named his son after the comic book character "Kal-el" (aka Superman).
Referred to as the "Jazz musician of acting" by David Lynch.
July 2006: Bought Schloss Neidstein, a mini castle in the Bavarian village of Etzelwang.
After his first film role (in Fast Times at Ridgemont High (1982)), he adopted the stage name of Cage, because he wanted to assure himself that any success he had was based on his own merits, not the fame of his uncle, Francis Ford Coppola.
Considered "Blue" before settling on "Cage" as his surname.
2006: He purchased a home on the former property of John Wayne in Newport Beach, CA, for a record-setting $24 million.
Said in a Reader's Digest interview that his wife, Alice, is into designing jewelry and has no interest whatsoever in being an actress.
Offered the role of Green Goblin/Norman Osborn in Spider-Man (2002).
Was originally considered for the role of Brad Hamilton in Fast Times at Ridgemont High (1982), but after his audition the studio thought his performance was too dark and the role went, instead, to Judge Reinhold. Additionally, Cage was 17 at the time and could not work as many hours as actors over 18. In this film, he is credited under the name Nicolas Coppola for the first and only time.
Auditioned for the role of Joel in Risky Business (1983), which eventually went to Tom Cruise and helped launch his career.
He said he realized that all great movie stars, such as Spencer Tracy, had had recognizable voices, so he has stylized his to be distinctive.
Owns a home in New Orleans.
2007: Bought Midford Castle (though not an actual castle) near Bath, England for an estimated price £5 million (about $10 million).
In 2006, he donated $2 million to Amnesty International for a fund to help child soldiers.
Owns homes in Los Angeles, San Francisco, Las Vegas, New Orleans, New York City and in one in Middletown, Rhode Island, which he purchased in 2007.
The historic LaLurie House on the corner of Royal and Gov. Nicholls St. in New Orleans, which Cage bought for $3,450,000 in 2007, is reputed to be haunted by the many slaves tortured and killed by Delphine LaLurie in the 1830s.
When Cage was arrested in New Orleans and charged with alleged domestic violence against his wife, Alice, and disturbing the peace. The $11,000 needed to bail him out was posted by Duane 'Dog' Chapman, better known as "Dog the Bounty Hunter". [16 April 2011]
Ex-girlfriend Christina Fulton hit Cage with a $13 million lawsuit in 2009, regarding a property transfer. They negotiated a settlement in June 2011.
Was originally cast as Randy The Ram Robinson in The Wrestler. However, Nic felt he didn't have time to bulk up for the part and Darren Aronofsky's heart was set on Mickey Rourke. Mickey would go on to win a Golden Globe and be nominated for an Oscar for his performance.
Personal Quotes
To be a good actor you have to be something like a criminal, to be willing to break the rules to strive for something new.
There's a fine line between the Method actor and the schizophrenic.
I am not a demon. I am a lizard, a shark, a heat-seeking panther. I want to be Bob Denver on acid playing the accordion.
[about his marriage to Lisa Marie Presley] I'm sad about this, but we shouldn't have been married in the first place.
Hollywood didn't know if I was an actor or a nut or if I was this crazy character I was playing. I had developed an image of being a little bit unusual, different and wild.
I'm at the point now where I know I'm doing something right when a movie gets mixed reviews, because then I'm not in the box. I don't want to make it too easy for people and I don't want to make it too easy for myself. I want to try something unusual. I feel good about the bad reviews because I feel like I've affected them on some level. They may not know what I was trying to do but they felt something
I want to make all kinds of movies. I do want to make big movies that are a lot of fun to go to, but I also want to make movies that are going to stimulate some thought and maybe raise some awareness. And so please don't think you're gonna go on a roller-coaster ride with those movies.
It's very risky for an actor who's a bankable star to make pictures like The Weather Man (2005) or Lord of War (2005) because they inevitably promote them like big studio releases. And they're not big studio movies, they're more edgy, thought-provoking, independent-spirited films. What happens is, it goes into the computer, and everyone says they can't open the movie because they thought it was X when it actually was Y.
I needed to change my name just to liberate myself and find out I could do it without walking into a Hollywood casting office with the name Coppola.
[Pablo Picasso] said art is a lie that tells the truth. What if you just want to tell the truth and not lie about it?
It's good to make movies that are tragedies, where people can think about things in life that are undeniable, that everyone has to deal with. But at the same time, it's also healing to make movies that are entertaining, that are a lot of fun, where you don't have to think about your problems.
When I did Vampire's Kiss (1988), I got so wound up. It was so important to me that this vision I had of Peter Lowe's character get on film exactly the way that I wanted it, that I frankly don't think I was very easy for anyone to live with. Certainly, I was not easy for myself to live with. I remember that I wasn't drinking or anything at the time. One night I felt so wound up that I was about to snap. I ordered a martini. And I just relaxed, and I could tell my body really needed a rest. From then on, I learned you can do good work without torturing yourself.
What happens is, you become different people in your path as an actor. When I was doing those things, I was a very new actor. I didn't have a lot of training, and I was trying to make some sort of impact, because that was what was important for me at the time - to get on the map. There were things I would do that were more shocking, or approaches I would do to try and live the character, because I didn't have the training. But then, as I went on, I started to find other methods, ways to get into characters that weren't exactly destroying my life. (On the wild eccentrics he used to get into character earlier in his career)
I remember when I met Johnny Depp, he was a guitar player from Florida, and he had no idea he could be an actor. I said, "I really think you are an actor, that you have that ability." That was just from playing one game of Monopoly with him. I sent him to my agent and he has gone on to carve out a successful career.
There is a method of thought that says it's better to stay mysterious, make yourself an event so when you come out, people have a hunger to see you again. I can think of some superstars who adopt that principle, where they are very selective. But we are all going to get older, and there is something to be said about doing some of your best work when you are younger, when you still have that virility, something visceral and raw. I've heard there have been some actors who've regretted not doing more work when they were under fifty. (On why he works so much)
[on making his character in Knowing (2009) a single father] I have seen a lot of movies with single mothers and their children. They're good, but there are not so many with capable single fathers. There seems to be this archetype that if you're a man and single, you're incapable of raising a child, which I think needs to be broken. If you find yourself in that position - like I have - it's important not to give up because of what people tell you.
[on Face/Off (1997)] Without tooting my own horn - I think it's a masterpiece.
I was being stalked by a mime - silent but maybe deadly. Somehow, this mime would appear on the set of set of Bringing Out the Dead (1999) and start doing strange things. I have no idea how it got past security. Finally, the producers took some action and I haven't seen the mime since. But it was definitely unsettling.
(The hardest part was) trying to figure out how I was going to entertain you while playing a guy who was completely out of his mind on crack. At the same time, trying to be responsible so it didn't become an advertisement for doing drugs. The other thing is, I wasn't sure I could play the part totally sober, which I was. In "Leaving Las Vegas," I had a few drinks between scenes to get to a certain feeling, to get to a certain truth. But with this I was trying to look at it more impressionistically from a landscape of maybe 25 years ago to see what would come out of that filter of my imagination. -- on the toughest aspect of preparing for "Bad Lieutenant: Port of Call -- New Orleans"
So many directors are so arrogant. For example, Klaus Kinsky -- who Werner Herzog has a legacy with -- he was very frustrated with the arrogance. We always hear Werner's side of the story about "Klaus was this and Klaus was that" but you never get to here Klaus' side of the story. I was doing a scene (on "Bad Lieutenant") -- it was in my second day of shooting -- and we all know the imagination and preparation (required) to think I was on cocaine (for the character). There was a little bottle of baby powder, and I'm snorting that. I'm psyching up, I'm psyching up, and he comes up and says (in German accent), "Now Nicolas, what is in that vial?" And I was like, "Are you kidding me? After four hours of this you're gonna actually ask me that? Take me out of my preparation? You would think the director would understand the actor's process and give us the space and the room to do what it is we need to do.
I don't want to minimize the effort that goes into having a career, but now with the video age, let's face it, you can write your own stories and you can make your own movies and get it out. Or go on stage somewhere in a small venue off-off-off-Broadway.
Usually it's very cathartic. The hard stuff is when you're not feeling great and you have to do a really happy scene. -- on the personal toll acting can take on a person
James Dean in "East of Eden," the scene where he's trying to give Raymond Massey the money on his father's birthday. I was 14, I was at the New Beverly Cinema, and I said, "Oh, no, that is exactly how I feel. Oh my God, I have to do this." Nothing else ever affected me as strongly. -- on if there were any moments in his life when he realized he was going to be an actor
{on the recession] People are losing their jobs because of what's going on in the economy, but I want to make movies that give families something to look forward to.
(1996 quote) Jim Carrey and I went to George Hamilton's wine bar. He's an interesting one. He was there and had some fun stories. I told him how he was one of my heroes from the time he played Evel Knievel. We had cigars, and very expensive bottles of wine were opened, and Jim and I were going, "This is great, man." At the end of the night we got slapped with an $8,000 bill. It was at that point that George became the fox in the Pinocchio story. He happens to look quite a bit like that fox. I would not want to play cards with George Hamilton.
(1996) I remember my prom was a complete disaster. I used bonds my grandmother had given me to rent a tuxedo and a limousine so I could go to the prom with this beautiful girl. And at the end of the night I went to kiss her and she responded. I was so nervous that my stomach got really nauseous and I said, "Excuse me" and just threw up on the street all over my shoes and my rented tux. The limo driver wouldn't let me in the car. He split and I had to walk home. That was my prom night.
(1996, on if he wants to do theater work) No, I have stage fright. I don't like it. I've never gotten over it.
(1996) I do not have a religion in my life, I wasn't raised that way. My father always believed that if I was going to have a religion I should discover it on my own and not have it crammed down my throat at a young age. I kind of wish I had some religion.
(1996) If I thought about awards, I would not have been able to do a movie like Leaving Las Vegas, because the word around town was that Mike [Figgis] and I were making the most unreleasable movie in Hollywood. I had some fear that the movie would not get released.
(1996, on his life) I know what I want to do, I'm doing it, but I'm still very much a student of the craft and I think I can go further. I still torment myself. I have a lot of self-doubt.
(1998 quote) I was once surrounded by rattlesnakes in a rattlesnake patch with my cousin Roman when we were 16 or 17. We were fishing in Napa Valley and walked right into it. There was a huge one coiled in front of us. A bigger one, to the left, was uncoiled, so I knew he wasn't a problem. We had to go over the coiled one, so we felt trapped and paralyzed with fear. There was nowhere to run, we were surrounded. I saw this pole with a nail through it, and I knew that I had to do something, so I grabbed the pole and pounded the snake. Then it came up and started rattling and was about to strike. I killed it, but felt bad about it. I felt anything you kill you've got to eat, so I took it home, cut the poison glands out, took the rattles off and cooked it.
(1998, on the scariest thing that has happened to him) Years ago I was driving a car I'd bought, an Austin Healey with a V-8 engine, sort of a makeshift Cobra. I had taken it to a mechanic to put an automatic shifter in it. The mechanic did a really sloppy job. If you barely knocked the shifter it would go into separate gears. I was driving on the Hollywood Freeway and I accidentally bumped it into park. I was doing 80 mph at 10 p.m. and I started doing 360s. I wound up facing traffic, and then a Mack truck was coming at me. I thought, 'This is it, I'm dead'. The truck driver had a CB radio and said, "Put the car in reverse." I did and drove backwards until I got off at the exit, backwards!
(1998 quote) What I like so much about Warhol-and he's actually influenced my acting, especially with Wild at Heart-is that he takes these icons and makes them his own, which is a brave thing to do. With acting it's not something you're supposed to do-you're never supposed to mimic or copy another person. For Wild at Heart I thought, 'Let's be Elvis'. I've always called that my Warhol performance, because I tried to subvert the image.
(1998, Movieline Magazine) I did not want to be in Peggy Sue Got Married. I turned it down three times. Francis said, "I really need you to be in the movie." I read the script, which was a perfectly romantic film, but the character he wanted me to play was boring. He was the babe to Kathleen Turner's starring role. Just like women don't want to play the babe in movies, I didn't want to be Kathleen Turner's babe. I just wanted to play a character. So I thought, How can I make this guy really far out? I asked Francis about it on the phone and he said, Absolutely. I said, "I want to go really far out." He asked, "How far do you want to go?" I said, "I want to talk like Pokey" Because to me it was funny. And also, it was the way a lot of guys in high school sounded before their voices changed-they always had this high-sounding voice that would crack. When I see the movie now I'm really happy that I did that. I really am.
(1998, Movieline Magazine) I see Miles Davis as a surrealist father of mine. He was the first person to believe in me as an actor, the one who first said he understood what I was talking about. It was on "The Dick Cavett Show." Before we went on he said to me, "Why aren't you wearing your leather jacket? Didn't you learn anything from Dennis Hopper?" Because I was wearing a suit. Then I went out and started talking about how if Picasso could paint surreal, why couldn't actors try to achieve that as well? Then Miles came on, and he was very considerate and he said, "I hear what you're saying." He kept looking at me like we had our own connection. Ever since then he stayed in my thoughts. He said the words I needed to hear to keep going with my choices. It's weird because my surrealist name, Cage, is actually taken from a black character, Luke Cage.
Salary
Where Are They Now
(October 2008) He's selling the sprawling Gray Craig estate in Middletown, Rhode Island.
(August 2007) Bought the sprawling Gray Craig estate in Middletown for $15.7 million, a purchase price that ranks among the highest ever for a home in Rhode Island.
(January 2011) Filming Ghost Rider: Spirit of Vengeance (2012) in Turkey.
(November 2011) Anchorage, AK, USA: acting in "The Frozen Ground".
